Watcher (2022)

Directed by Chloe Okuno. Written by Okuno and Zack Ford. Starring Maika Monroe, Karl Glusman, Madalina Anea and Burn Gorman.

Plot: a young woman notices a mysterious man watching her from a building across from hers at the same time that a serial killer is reported active within the city.

I’m not a huge fan of IFC Midnight, but I am a huge fan of this. I really like how it was shot. And it surprised me. In a good way. That is always enjoyable. LOL

Maika Monroe shines as Julia, the doting, super supportive wife of Francis (Glusman), who, let’s face it, doesn’t deserve her. I knew that much from the beginning. She goes to Bucharest with Francis because of his job. He speaks the language, while she’s still learning keywords and phrases. Their new apartment is directly across the street from another apartment building. Almost immediately she notices a man across the way watching them. Watching her. And since Francis works all the time, she’s alone in the apartment often .

Julia is afraid even more when she hears there is a serial killer loose in the city. She’s also upset and frustrated because Francis often speaks in Romanian to his friends, while she’s there with them, knowing she doesn’t completely understand everything he’s saying. Finally, she makes a friend, Irina (Anea), who lives next door to them and is a dancer at a “gentleman’s club”. She speaks English and helps Julia feel like she belongs.

I’m not going to tell you the rest of the tale, but I will say, I never liked Francis. When he actually sees the man across the street (Gorman), staring at his wife, he only tells her that “maybe he’s just staring at the woman staring at him”. Are you kidding me? I’d have left him then and there. Fuck him. Fuck Bucharest. Fuck everything. She stays though and things get worse. There’s a cat involved a little later. Police as well. They aren’t any more helpful than her husband though.

The only really gory bits happen at the end. It’s much more psychological in it’s terror. You never really know for sure who Julia can trust or if she can even trust her own self. I believe the whole “Believe Her” ideals going on right now are promoted here, but I feel that the “Trust Your Gut” idea resonates even louder here and it resonates with man, woman, child and animal. If your gut is telling you to get out, for god’s sake, GET OUT!

In that way, the Freddy Claws here is pretty weak, but the script was realistic. The story was realistic. The effects were wild and wonderful. The cast had me believing every single aspect of who they were and why they were doing what they were doing. The motive wasn’t really anything you could pinpoint, but I think that’s a bit realistic too, at least in this situation. I really enjoyed the whole thing and I wish DJ liked these kinds of movies more. Maybe I’ll make him watch it one day.

My score: 71

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